Movie News – May 30th, 2017

X-Men film New Mutants to be a proper horror movie

Director Josh Boone has said “We are making a full-fledged horror movie set within the X-Men universe. There are no costumes. There are no super villains. We’re trying to do something very, very different.” The film was originally going to be a young adult film. New Mutants currently has Maisie Williams and Anya Taylor-Joy attached as cast members with Henry Zaga (13 Reasons Why) rumoured for a role and Rosario Dawson in negotiations.

Boss Baby 2 in development

It made money, this is no surprise. Alec Baldwin has been confirmed to return to voice the title character. The film is currently scheduled for a 2021 release date. Will the Boss Baby hype be well and gone by then?

Animated ‘The Jetsons’ movie to be developed by Sausage Party director

The project has been in the works for over 20 years, the original concept was to do a live action version akin to the Flintstones films from the 90s. They seem to have scrapped that idea in favour of animation, which is probably a good call.

-And now that I’ve just written that, I feel the need to watch and review the two Flintstones movies, The Flintstones (1994) and The Flintstones in Viva Rock Vegas (2000). Check back in the next little while!

Last Weekend’s Box Office Report

# | Movie | Gross (in US$) | Days in Release | Total Gross (in US$)
1 | Pirates of the Caribbean: Dead Men Tell No Tales | $4,383,918 | 3 | $4,383,918
2 | King Arthur: Legend of the Sword | $797,882 | 10 | $3,038,692
3 | Guardians of the Galaxy Vol 2 | $755,531 | 31 | $23,075,499
4 | John Wick: Chapter Two | $641,245 | 10 | $2,449,288
5 | Snatched | $613,625 | 17 | $4,974,583

Information gathered from The Numbers:
http://www.the-numbers.com/weekend-box-office-chart/Australia

Advertisements

History of Superheroes in Movies

superman

While there were superhero movies in the 1940s, 50s and 60s it wasn’t until the 1978 film Superman opened the door for comic books and their characters to be taken as serious movie ideas, but that faded over ten years until 1989’s Batman put them back on the map again. Unfortunately, with the exception of Batman Returns (1992) the popularity of superhero films declined again until 2000 when X-Men got it right.

xmen

Since X-Men superhero movies have been on the up and up. Production companies started taking the concepts seriously again rather than trying to make it comical and camp (I’m looking at you Joel Schumacher). 2002 saw Spider-Man swing on to the silver screen and both the X-Men and Spider-Man films spawned major film franchises for Fox and Sony respectively. But we’ll get to the major production companies later. Fox continued it’s push with Daredevil (2003), X2 (2003), Elektra (2005) and Fantastic Four (2005) while Sony (Colombia) released Hellboy and Spider-Man 2 in 2004. Following the success of
these franchises DC and Warner Bros. took a different angle and rebooted the popular Batman franchise with Batman Begins (2005) which had a much darker tone to it than the Marvel films that were being released at the time. Superhero films cashed in on the success of the early 2000 hits for a few more years X-Men: The Last Stand and Superman Returns in 2006 and Spider-Man 3 and Fantastic Four: Rise of the Silver Surfer in 2007 (which might I add were all franchise killers) but come 2008 something clicked in the minds of Marvel, DC, production companies and audiences… Superhero Movies could be better than exciting. They could be exhilarating the perfect escape for people young and old just like the comic books they were based on were for people years ago.

darkknight

2008 was a big year for Superheroes, with Marvel’s start of their Cinematic Universe (Actually owning the rights to these characters this time) Iron Man blasted on to the screen, reviving the dwindling superhero audiences and Robert Downey Jr.’s career at the same time. On top of that the reboot of the Hulk franchise with The Incredible Hulk re-established another character for something in the future. Iron Man would have been the walk-away hit of superhero films that year had the follow-up to Batman Begins not been released. The Dark Knight wowed audiences and box officenumbers proved that superhero movies were not just a sub-class of action films. They were their own genre. Mixing comedy and drama with action, visual effects and the characters people of all ages could enjoy. The superheroes were here.

avengers

The late 2000s brought us a prequel to X-Men in X-Men Origins: Wolverine and a surprise cult classic with Watchmen. The start of the new decade brought in more of the independent heroes in to the spotlight, Kick-Ass and Super depict average joes standing up and answering the call against villainy and Iron Man 2 delved deeper in to the mystery behind S.H.I.E.L.D and why they were showing up in all these Marvel movies. 2011 was another big year for Marvel with Thor and Captain America: The First Avenger setting up for the biggest superhero team up in film history. Fox released a re-invigoration of X-Men going back to the early days of Professor X in X-Men: First Class and DC unfortunately missed the mark with Green Lantern. Last year blew me away though with The Avengers, The Amazing Spider-Man and The Dark Knight Rises three of the four big superhero movie powerhouses put everything they had in to these films and they were incredible.

The superhero film genre has risen over the last twenty or so years to become films that provide drama, comedy, explosions and an all round entertaining visit to the cinemas.

NFB Update

Howdy all, been a while…

Been off for a while, with assignments and all but back for the Summer from now on! And why not? Summer is the time of movies! To catch up on everything here is a update of things that have been missed on NFB over the past few weeks…

  • The ultimate Marvel team-up is building up speed as the trailer for 2012’s The Avengers hits Cinemas and the Internet.
  • Also on the topic of the mighty mighty director, Joss Whedon. It has been announced that he had just completed a mystery film project entitled Much Ado About Nothing… yes thats right, the incredible writer of our time, joined forces with the incredible writer of yester-year! Bellweather Pictures released a Press Release regarding the film…
    • Bellwether Pictures proudly announces the completion of principal photography on MUCH ADO ABOUT NOTHING, a modern version of Shakespeare’s classic comedy adapted and directed by Joss Whedon (Marvel’s upcoming THE AVENGERS, “Dr.Horrible’s Sing-Along Blog”). Filmed in just 12 days entirely on location in exotic Santa Monica, the film features a stellar cast of beloved (or soon to be beloved) actors ñ some of them veterans of Shakespearean theater, some completely new to the form. But all dedicated to the idea that this story bears retelling, that this dialogue is as fresh and intoxicating as any being written, and that the joy of working on a passion project surrounded by dear friends, admired colleagues and an atmosphere of unabashed rapture far outweighs their hilariously miniature paychecks.MUCH ADO ABOUT NOTHING is the first feature from Bellwether, a micro-studio created by Joss Whedon and Kai Cole for the production of small, independent narratives for all media, embracing a DIY ethos and newer technologies for, in this particular case, a somewhat older story.

      Shot in glorious black and white by Jay Hunter (PAPER HEART, “Dollhouse”), the film stars Amy Acker (CABIN IN THE WOODS, “Alias”) and Alexis Denisof (“How I Met Your Mother,” “Angel”) as Beatrice and Benedick, the worldís least likely lovers headed for their inevitable tumble into love. As Joss Whedon puts it: “The text is to me a deconstruction of the idea of love, which is ironic, since the entire production is a love letter ñ to the text, to the cast, even to the house itís shot in.” The supporting cast includes Nathan Fillion (“Castle,” WAITRESS) as Dogberry, Clark Gregg (AVENGERS, IRON MAN) as Leonato, Fran Kranz (CABIN IN THE WOODS, “Dollhouse”) as Claudio and Reed Diamond (“Franklin & Bash,” MONEYBALL) as Don Pedro.

      The film was produced by Whedon, line-produced by Nathan Kelly and M. Elizabeth Hughes, and co-produced by Kai Cole and Danny Kaminsky. The super-impressive cast is listed below. Full tech credits (for the extraordinary crew) will be up shortly. The film should be completed by early spring and headed for the festival circuit, because it is fancy.

      http://www.muchadothemovie.com
      muchadothemovie@gmail.com

      The Players:
      Amy Acker – Beatrice
      Alexis Denisof – Benedick
      Nathan Fillion – Dogberry
      Clark Gregg – Leonato
      Reed Diamond – Don Pedro
      Fran Kranz – Claudio
      Sean Maher – Don John
      Spencer Treat Clark – Borachio
      Riki Lindhome – Conrade
      Ashley Johnson – Margaret
      Emma Bates – Ursula
      Tom Lenk – Verges
      Nick Kocher – First Watchman
      Brian McElhaney – Second Watchman
      Joshua Zar – Leonatoís aide
      Paul M. Meston – Friar Francis
      Romy Rosemont – The Sexton
      And introducing Jillian Morgese as Hero

  • Harry Potter DVD’s will cease to exist on shelves by the end of the year… Warner Bros. are taking a page out of Disney’s book and stopping prints of Harry Potter DVD’s on December 29th. This will no doubt mean a re-release in the future sometime, similar to the re-birth of the Lion King in the last few weeks. Harry Potter and the Deathly Hallows Part 2 goes on sale November 11… So get in quick!
  • Bryan Singer could be on par with my greatest movie-making villain, Joel Schumacher, when he directs his version of Battlestar Galactica. The director previously killed a series (that, given was not amazing beforehand) in Superman. In turn he gave up the direction of X-Men: The Last Stand (Another Franchise Killer) to work on Superman Returns.
  • The Adventures of Tintin premiered in Belgium on the 22nd of October, it’s set to screen in the UK on the 26th of October, India in November, the US, December 21st, and Australia… The 26th of December… Once again everyone… Australia is last to see a movie… (Vengeance maybe for Harry Potter DHP2?).
  • Sony Pictures have secured the rights for an Assassin’s Creed movie adaptation… Assassin’s Creed joins, the development at Sony, who are also working on adaptations for InFAMOUS and Uncharted: Drake’s Fortune.
  • Brad Bird plans Incredibles sequel… But wants it to be in the same vein as Toy Story 2, not a complete sell out… I’m proud of you Brad.
Coming Out Today in Australian Cinemas
In Time
Judy Moody and the Not Bummer Summer
Warrior
Drive
DVD Releases this Week
Pirates of the Caribbean: On Stranger Tides
Fringe: Season 3
V: Season 2
The Mentalist: Season 3
NFB returns completely Next Week…

Film News Update – Week 36, 2011

  • Lauren Shuler Donner provides some insight on the next X-Men instalments, Wolverine: will be viewed as a stand alone movie very independent of Origins. That is looking set to shoot next year some time. Deadpool: is being prepared at the same time, Ryan Reynolds will be returning as the hero. The film is set to be true to the comic books and character of Deadpool.

“We’re gonna give it a little bit of a different look. It’s a different kind of movie. If you know ‘Deadpool’ …it’s true to ‘Deadpool’. So you know, it’ll be violent, and outrageous, and funny, and all that.” – Shuler Donner. 

  • An X-Men: First Class sequel is in discussion. The team is trying to woo back the director of the original, Matthew Vaughn.
  • The Great Gatsby began shooting this week, Warner Bros. distributed a Press Release…

Principal photography began this week on Warner Bros. Pictures’ and Village Roadshow Pictures’ “The Great Gatsby,” the new big screen adaptation of F. Scott Fitzgerald’s novel from the uniquely imaginative mind of writer/producer/director Baz Luhrmann. The filmmaker will create his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before. Leonardo DiCaprio stars in the title role.

“The Great Gatsby” follows Fitzgerald-like, would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz and bootleg kings. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

Academy Award nominee DiCaprio (“Blood Diamond,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Joel Edgerton and OscarÆ nominee Carey Mulligan (“An Education”) as Tom and Daisy Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.

OscarÆ nominee Luhrmann (“Moulin Rouge!”) directs the film in 3D from a screenplay co-written with frequent collaborator Craig Pearce, based on Fitzgerald’s book. Luhrmann produces, along with Catherine Martin, Catherine Knapman, Lucy Fisher and Academy AwardÆ winner Douglas Wick (“Gladiator”). The executive producers are Barrie M. Osborne and Bruce Berman.

Two-time Academy AwardÆ-winning production and costume designer Catherine Martin (“Moulin Rouge!”) also designs with the director. The editors are Jason Ballantine, Matt Villa and Jonathan Redmond, and the director of photography is Simon Duggan.

Luhrmann said, “Fitzgerald loved the movies and was a passionate believer in the power of cinema. “The Great Gatsby” has been adapted for the screen no less than four times. Fitzgerald’s story defies time and geography. The vision and the goal of our remarkable cast and creatives is to do justice to the deftness of Fitzgerald’s telling, and illuminate its big ideas and humanity. This is our challenge and our adventure.”

“The Great Gatsby” is being shot in Luhrmann’s native Australia. The filmmaker stated, “The opportunity to make the film in Australia with the Bazmark creative team is very important to us; the assistance from Screen Australia and the NSW Government has made that possible.”

The film will be distributed in 3D and 2D by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

  • The Weinstein Company will move into the online market next year. They’ll be launching a VOD (Video On Demand) Label, early 2012.
  • Scott Alexander and Larry Karaszewski have been hired to write the script for director Ridley Scott’s big screen adaptation of Hasbro’s Monopoly.
  • A long-awaited Beetlejuice sequel may finally be moving forward, Deadline reports. Writer/producer pair David Katzenberg and Seth Grahame-Smith have just signed a two-year first look contract with Warner Bros. and among their first projects is a follow-up to the 1988 film.
  • To finish off, the new trailer for Tinker, Tailor, Soldier, Spy:

X-Men: First Class – Review

X-Men returns in this prequel that could be the best film in the franchise… Directed by Brit, Matthew Vaughn (known for directing Lock, Stock and Two Smoking Barrels and Kick-Ass) and starring James McAvoy, Michael Fassbender and Kevin Bacon, this movie takes a look at the early days of Professor X and Magneto… It’s another X-Men Origins story but this one shits all over Wolverine!

First Class opens in 1944 with Erik Lehnsherr, a young boy whose parents were taken away and killed during the Holocaust. His powers were enhanced by Schmidt when he killed Erik’s mother in front of his eyes. Also during 1944 in New York, a young Charles Xavier meets Raven a ten year old shapeshifter, the young Mystique. Years later, Erik has honed his powers and is going around seeking vengeance against former soldiers of the Nazi Party. Meanwhile Charles, a graduate at Oxford University, and Raven, a waitress live together while Xavier finishes his thesis on Mutation and becomes a proper Professor. In the US, a man by the name of Sebastian Shaw, who hasn’t aged since he was a soldier during the Second World War… named Schmidt… is gearing up to start World War Three by positioning nuclear missiles in Turkey and Cuba, aimed at the Soviets and the US respectively. With the help of the CIA, Charles along with Erik and Raven seek and recruit fellow mutants to try to stop Shaw in his plot to rid the world of humans and advance the Mutant Race.

The film has received very positive reviews despite the disappointing box office results. Matthew Vaughn, has done very well making this movie and he has put himself in a position as a great Superhero Filmmaker. Good points of X-Men: First Class include the montages, first when Charles and Erik are recruiting (including a brilliant cameo from Hugh Jackman, Wolverine) and secondly when Charles trains his First Class at his old mansion, the site for Charles Xavier’s School for Gifted Youngsters, these two montages were beautifully done the latter featuring very effective split screen techniques. Down sides include as with almost all superhero movies is the part where they come up with their superhero names (seriously, look at almost every movie, that part is always shit) other than that I can’t fault the first instalment in what Fox foresee as a possible trilogy. It was humorous at points and it’s good humour, not crappy american humour… because it’s directed by a Brit. Intellectual and Action-Packed, X-Men: First Class is and will be the Best Superhero movie of the year!

X-Men: First Class

4 Stars