Star Wars: The Last Jedi – Review

This review contains spoilers. Star Wars: The Last Jedi has been out for a few days now and it’s time to give a more full review on it. If you haven’t seen it yet, this is your warning to not read this post.

Star Wars: The Last Jedi is very satisfying however, there were a few things that I didn’t like. Some parts of the film, particularly a few of the bits of humour and some of the choices some of the characters made weren’t my favourites, there are even some scenes that I felt didn’t quite belong. The film is a culmination of every Star Wars film that has come before it, like previous entries, you feel that ‘poetic rhyming’ the franchise is said to have. By that, I mean this film is definitely not like The Force Awakens, in which the whole thing felt very ‘A New Hope’. No, this film takes little hints and vibes from the whole of the Star Wars saga. As well as drawing in (in my opinion) similarities from other big franchises like Harry Potter, Battlestar Galactica and Lord of the Rings.

The Last Jedi picks up almost straight after Episode VII, the First Order retaliates after the destruction of Starkiller Base, heading straight for the Resistance base in the middle of the new band of rebel’s evacuation. This leads to a cool space battle with a dash of humour thrown in. I say dash, it’s pretty full on and hammy – a lot of people are not going to enjoy the humour in this film. The Resistance escapes and moves to their next stop in the storyline, which also happens to be the last stop because the next plot point is a doozy. The First Order track them through hyperspace which results in a ‘chase’ scene for the majority of the film. Imagine two cruise ships on the sea, both with the same engines, propellers etc. both going full throttle – not exactly thrilling. Yet, somehow it works and towards the end of the film, there is a dramatic payoff that is probably one of my favourite scenes.

We’ll come back to the chase between the Raddus and the Supremacy later on. Meanwhile, Rey (Daisy Ridley) learns what has happened to Luke (Mark Hamill), why he is on the planet Ahch-To (the planet we find him on in The Force Awakens) and she seeks to learn the ways of the force. Luke Skywalker’s arc is an interesting one. He is reluctant to train Rey as he believes that the Jedi and their teachings are not the answer to the Galaxy’s problems. I can see why there was a bit of a cloud hanging over Rian Johnson’s choices from Mark Hamill’s point of view. He is definitely not the Luke Skywalker from the ‘Legends’ material. But I can see that this is how he has ended up and I don’t mind that. The dynamic between Luke and Rey (Mark and Daisy) was strong and I thought that it was the most interesting of the character combinations. Most interesting, but not the best… No, that goes to Rey and Kylo Ren (Adam Driver), over the course of the film their force connections across the galaxy are so good and fun! Their teamwork in taking down the Praetorian Guards after the murder of Supreme Leader Snoke (Andy Serkis) was another one of those great scenes in the film.

Now it’s time to look at my least favourite plot points – almost everything involving Finn (John Boyega). While the setting of the planet Cantonica and the city, Canto Bight were interesting, nothing that happened in that setting was of any use or importance. Finn may have had a bit of character progression where he might have learned to stop trying to run away but other than that, Rose (Kelly Marie Tran), ‘DJ’ (Benicio Del Toro), getting aboard the Supremacy, fighting and killing Captain Phasma (Gwendoline Christie), it was all in the end, pointless and pretty uninteresting. On that too, one of the main issues people had in The Force Awakens was the lack of screen time for Captain Phasma. How did they address that in this film? They gave her less. The running with the Fathiers (space horses) was probably my least favourite scene in the entire film (worse than ‘Super-Leia’, more on that soon), it felt so much like a Harry Potter scene and the John Williams score didn’t help that either. As great as the score was, it added to the Harry Potter vibe. The film improved a lot more after Finn and Rose left Canto Bight.

Onboard the Raddus (the Resistance’s flagship), the heads of the Resistance are trying to work out how to escape the First Order when BOOM! Two TIE fighters blast the bridge and everyone is sucked out into the cold, dark vacuum of space. Admiral Ackbar, General Leia, almost the entire leadership is gone. That is until Leia (Carrie Fisher in her last on-screen appearance) uses the force and pulls her self back into the ship in a scene that can best be described as ‘Super-Leia’. Now I didn’t hate this scene. I didn’t love it either. There were definitely some ways I would have changed the scene to make it a little less corny while still keeping the ‘Leia uses the force to save herself’ element. Hell, all you need to do is cut out the shot where she opens her eyes and the whole scene is more believable. While we’re on the Raddus and the topic of believability, Vice-Admiral Amilyn Holdo (Laura Dern) is an unnecessarily complex character. She chooses to not share basic information with Poe (Oscar Issac) that leads to his mutiny. Only for him to be the one to announce to the audience that she can be trusted just before she drives the Raddus straight through the Supremacy and the First Order fleet. That being said, that scene and the sound design especially in it. Breath-taking. It feels like for that brief moment, all the air is sucked out of the cinema and you’re just watching something truly amazing.

Star Wars: The Last Jedi is a lot to process. One recommendation I will make, this movie does need to be seen a few times to comprehend it all. It amazed me. I often write that one of my favourite parts of a film is when you think you’ve got the plot pretty much worked out and it goes in a completely different direction. There are many moments like this in The Last Jedi. Plenty of fan-service while also taking the thousands upon thousands of hours fan spent speculating who Snoke is and who Rey’s parents were and throws them out an airlock.

My score hasn’t changed since the first review.

Star Wars: The Last Jedi: Above Average


Star Wars: The Last Jedi – Spoiler Free Review

This is a Spoiler-Free Review. My plan is to do a spoiler review after watching this film again and go more in depth with the story. Star Wars: The Last Jedi takes many expectations of fans after The Force Awakens and turns them on their heads it takes risks and goes in a direction that Star Wars has been before.

The Last Jedi picks up almost straight after Episode VII, the First Order retaliates after the destruction of Starkiller Base, heading straight for the Resistance base in the middle of the new band of rebel’s evacuation. Meanwhile Rey learns what has happened to Luke, why he is on the planet Ahch-To (the planet we find him on in The Force Awakens) and she seeks to learn the ways of the force.

We see our beloved characters from the original trilogy, Luke and Leia and our new heroes from this trilogy, Finn, Rey and Poe. In these characters we see better more rounded performances, Carrie Fisher especially doesn’t feel as rusty as she did in the last chapter and Luke Skywalker returns to the screen in the best way possible. I feel Finn and newcomer Rose (Kelly Marie Tran) were sent on a mission mostly because Star Wars expects all characters to be doing something. That being said Rey and Poe have a lot to do, both characters have a lot of screen time and I felt very invested in them. On the darker side, our villains, the leaders of First Order, Supreme Leader Snoke, Kylo Ren and General Hux, in a similar way to the heroes, are treated very well and I was very happy to see where these characters’ roles went. No actors dropped the ball in this film. Stand outs for me were Mark Hamill as Luke Skywalker and Adam Driver as Kylo Ren.

While The Last Jedi is very satisfying, there were a few things that I didn’t like. Some parts of the film, particularly a few of the bits of humour and some of the choices some of the characters made weren’t my favourites, there are even some scenes that I felt didn’t quite belong. However at this point, after just seeing the film, they are pretty insignificant to the highlights. The film is a culmination of every Star Wars film that has come before it, like previous entries, you feel that ‘poetic rhyming’ the franchise is said to have. By that, I mean this film is definitely not like The Force Awakens, in which the whole thing felt very A New Hope. No, this film takes little hints and vibes from the whole of the Star Wars saga. As well as drawing in (in my opinion) similarities from other big franchises like Harry Potter, Battlestar Galactica and Lord of the Rings.

Star Wars: The Last Jedi is a lot to process. I have only just seen this film at the time of writing this and I plan to see it again in the next few days. That is one recommendation I will make, this movie does need to be seen a few times to comprehend it all. It amazed me. I often write that one of my favourite parts of a film is when you think you’ve got the plot pretty much worked out and it goes in a completely different direction. There are many moments like this in The Last Jedi.

It’s been a long road to The Last Jedi but it is where Star Wars goes next that is so much more interesting because of this film.

Star Wars: The Last Jedi: Above Average

Star Wars: Return of the Jedi – Review

The original trilogy comes together in a massive galactic finale. Star Wars – Return of the Jedi pits our heroes once again against a fully-charged Empire that wants to wipe them out for good. The film served as a climax for a series of films that captured the hearts of the world, young and old, male and female. There was something about the series that despite it being set in a galaxy far, far away, was so relatable but also, very exciting.

Return of the Jedi opens on the familiar planet of Tatooine (Luke’s homeworld) in an attempt to rescue Han Solo (who is still in Carbon Freeze) from Jabba the Hutt. After a rather long series of events, a big set piece and a Q & A session with Yoda, the team reunites with the Rebel Alliance as they are about to take on their biggest mission yet, to destroy another Death Star. But things are a bit different this time. They have a much bigger fleet ready to go on the offensive and there is word that not only is the under construction project not yet armed but that the Emperor himself is on the battle station.

The final battle is a culmination of what we had seen in the pervious movies and then some. It cuts nicely between three simultaneous struggles; A ground battle: the Rebels and their new found friends the Ewoks against garrisons of Storm troopers, a massive space battle between a surprised Rebel fleet and the Empire’s Star Destroyers and a Lightsaber duel between Luke Skywalker and Darth Vader as the Emperor looks on. The film puts our main characters exactly where they need to be, split up between these fights so we have people to follow in each. Return of the Jedi doesn’t necessarily take the time as in the other films to dwell on that characters, by now if you have been following the films we already know a lot about them and the only real character development is shared between the characters in the Death Star’s throne room, Luke, Vader and the Emperor. That isn’t a bad thing though because the film is able to focus more on the battles at hand, the twists, turns and traps of all three of these skirmishes get you to care about the heroes’ plight and wonder if they will all make it out alive.

Welsh director, Richard Marquand took over directorial duties for Return of the Jedi as Lucas continued to produce and assist with the visual effects and story. This aided the film a lot as Marquand was very much an actors director and was able to get good performances out of everyone in the cast. The main new addition to the cast was Ian McDiarmid as the Emperor, a quintessential evil character with a subtle Shakespearian vibe. He was very much a stand out in this film as he injected something new into the story and terrified children around the world.

In Return of the Jedi, Star Wars cemented itself as the franchise that pushed the boundaries of what you could put on screen. Character costumes like the Ewoks, Jabba and Nein Numb were beautiful realisations of how puppetry could work along with human movement while the space battles showed progress from the first film a few short years ago. John Williams returned to score the film, his track Ewok Celebration (aka Yub Nub) was one of my favourite pieces from the soundtrack and it was brutally cut from the Special Edition versions.

There isn’t much else to write for this film other than I felt it was a great way to end the trilogy and start a long wait before we might one day see episodes 1, 2, and 3.

Star Wars: Return of the Jedi: Above Average

Star Wars: The Empire Strikes Back – Review

Arguably the best Star Wars film, The Empire Strikes Back returns to the galaxy far, far away three years after the Rebel Alliance’s assault on the Death Star. The film is a darker chapter in the saga but it creates a compelling story and adds depth to our favourite characters. Star Wars: The Empire Strikes Back separates Luke from Leia and Han for the most part of the film, Luke goes on a spiritual journey training under the Jedi Master Yoda while the rest of the gang attempt to evade the Empire.

The main cast return now as house hold names, people were clamouring to see the next part of the story and the film doesn’t disappoint. The script by Lawrence Kasdan and Leigh Brackett fleshes out the spirit of the force as well as developing the characters in to more than the plucky heroes we see in the original film. Luke is impatient and lacks focus, traits that true Jedi do not possess. While Han is seen to be much more than a scoundrel that is only after money, he shows compassion and care for his friends. In the early part of the film Leia is seen as a leading part of the rebellion while unfortunately she is relegated to love interest for much of the rest of it. Lando Calrissian is introduced as a supporting character who while being Han’s old friend, has his hand forced by the Empire and subsequently betrays that friendship.

Having a darker plot raises the stakes for our heroes, while not putting the rebellion at too much of a risk. This film is able to spend time on the characters, it has a pretty awesome battle between the Alliance and the Empire but that is used to open the film while the remaining hour and a half is much more personal.

As with A New Hope the special effects of this film were advanced for their time. The production team kept with their expert model making for the bigger and more menacing ships and the stop-motion animation for the Tauntauns and the AT-ATs made things feel very real (even though now they may look a little dated). However the real praise goes to Jim Hensons workshop for Yoda. As a kid I thoroughly believed that Yoda was somehow real and even now in 2017 Yoda feels as real as any of the other characters.

The visual style of the film is similar to Star Wars: A New Hope but the colour pallet in general is darker, despite the planet Hoth and the interior of Cloud City being white. While set pieces like the Battle of Hoth and the escape from a Star Destroyer are impressive (most impressive), it is the final duel between Luke Skywalker and Darth Vader that is an amazing piece of cinema. The glowing blades of the red and blue lightsabers in a dark environment convey a sense of horror and that style is used again in parts of their second duel in Return of the Jedi.

While it is a main feature in many of the Star Wars films, Empire Strikes Back features some of the most iconic music by John Williams. “The Imperial March” makes its first appearance in this film and it has become synonymous with Star Wars and probably as famous as the main theme. Williams’s score has been paired with all the episodic films up to this point and it as much a part of Star Wars as any character. The music in this film conveys the menace of the empire and the tranquillity of Yoda and his chosen home world of Dagobah. It helps the audience feel tension and happiness when ever it is needed, more than (probably) any other franchise.

Star Wars: The Empire Strikes Back is a masterpiece of cinema and is one of the best films in the Star Wars franchise. Sequels these days tend to go bigger while this film goes a darker and more personal route.

Star Wars: The Empire Strikes Back: Well Above Average

Star Wars: Revenge of the Sith – Review

This is the third film of the ‘prequel trilogy’, a collection of films that many call a disappointment. I have always had a soft spot for Revenge of the Sith, the scenes of the Clone Wars, the melodrama between the Jedi and the Senate, Anakin and Padme, as well as Anakin and the Jedi and the Senate. While probably not a traditional Star Wars movie, the film ticks all the boxes when it comes to an enjoyable experience.

Star Wars: Episode III – Revenge of the Sith follows Anakin Skywalker as he is pulled in every direction by the Chancellor, the Jedi, the ongoing war, his wife, the light side and the dark. The story surrounding him follows the end of the Clone Wars and the rise of the Galactic Empire.

The acting in this film is not its strength, again Ewan McGregor and Ian McDiarmid stand out in front of the performances of Hayden Christensen, Natalie Portman and even Samuel L Jackson. As with the other prequel films (I know I am repeating myself) the poor dialogue and clunky attempts at character development are noticeable but not as bad as the previous films. Maybe that stems from there generally being more going on in the film.

The visual effects are top notch in this film, it’s bright and colourful but doesn’t feel as real as the original films did. Admittedly, this does make for a difference between the shiny Republic and gritty Rebel Alliance we see in the later films (chronologically speaking) but its not a difference many liked.

Revenge of the Sith is by far my favourite film of the Prequel Trilogy. It has less problems than the first two films did however it still feels very different to what I would generally associate Star Wars with. That being said keep an eye out for the next Star Wars review because Rogue One: A Star Wars Story captures that feel in ways I couldn’t dream of. The dramatic build in this film is its selling point. Maybe it’s because I’m a huge Star Wars fan but you really feel that everything is on the line here, the evil Empire has won and it’s going to cause so many problems in the long run. It also has that Empire Strikes Back vibe to the ending with just a dash of A New Hope.

Star Wars: Revenge of the Sith: Average

Star Wars: The Clone Wars – Review

While originally I was going to review the Skywalker Saga of Star Wars films, I figured why not review all the theatrically released Star Wars films. This unfortunately means I’m reviewing the 2008 big screen premiere of the TV series Star Wars: The Clone Wars.

While this film did help kick-off a well received TV series, Star Wars: The Clone Wars is a drawn out storyline that would have been better served in an episodic format. The story centres around Anakin Skywalker as he and Obi-Wan Kenobi serve the Republic as Generals in the Clone Wars. He gains a Padawan learner in Ahsoka Tano and a new mission to rescue Jabba the Hutt’s son, who has been kidnapped. The film even feels like a single episode and a two-parter edited together and after seeing every episode of the show, I believe while it serves as a pilot (not a good pilot), it is far from a story that deserved a theatrical release.

The writing was clunky and felt like a children’s show. Now, I understand that it is but there should have definitely been some differences between this, for all intents and purposes – a movie, and the long form television series. It needed to be more cinematic, and I just never felt that. Some of the quips between Skywalker and Tano felt like forced (pardon the pun) attempts to appeal to a younger audience and the dialogue from the battle droids was a failed attempt to provide comic relief in a film without a focus on R2-D2 and C-3P0. The voice acting might have originally gotten some getting used to but like I said, I’ve seen every episode of The Clone Wars, these characters are iterations I have become used to.

Now to the look of the film. A lot of people were originally very against the stylistic choice the creators went with when making the film, the human characters have very angular faces while the droids and the clone troopers looked more-or-less the same as they appeared in the live-action films. Whether or not the style was down to budget or trying to differentiate the animated series from the films, it can take people very much out of the story. I remember not being a fan of the look and while I still don’t love it, I’ve accepted it (which seems to be a reoccurring thing when it comes to films set in this time period). Compared to the TV series, this was definitely made first as some of the animation felt a bit dated even for 2008.

There is not much to say about this film. It was unnecessary, boring and only served one purpose… to start a TV series. While it did achieve it’s goal and Star Wars: The Clone Wars is a great show, delving in to the stories that occur between Attack of the Clones and Revenge of the Sith, but this is one of my least favourite of those stories and its definitely one you can skip. Watch the show though if you’re a Star Wars fan and haven’t already, it’s worth your time.

Star Wars: The Clone Wars: Well Below Average

Star Wars: Attack of the Clones – Review

Upon my most recent Star Wars marathon and the writing of these reviews, I always thought that it was this film that I liked the least, but it’s a bit of a toss up now between The Phantom Menace and Attack of the Clones. The former because it adds very little to the Star Wars mythos, this one because it was just a missed opportunity. While it served it’s purpose of starting the Clone Wars, it was interwoven with this ham-fisted love story, in a desperate attempt to have two of our characters make the babies they’re supposed to to tie in with the original trilogy.

Anakin and Padme’s wooden love story aside, which is difficult because drives so much of the film, Attack of the Clones focuses on the continuing problems plaguing the Galactic Republic. It’s not just the Trade Federation any more, its the Banking Clan and the Techno Union, they all want out and are willing to go to war to do so. With tensions building, Obi-Wan Kenobi investigates a plot to kill Senator Amidala which unveils many more plots and secrets that have been in the making for the last ten years.

As with The Phantom Menace there isn’t much to praise in this film. The acting abilities of Ewan McGregor, Ian McDiarmid and Christopher Lee were drowned out by the again poor character development and general lack of direction from George Lucas. The dialogue from most characters was poorly thought out but it was delivered to the best of the actors abilities. Character was again, left behind for visuals and general plot.

The visuals are interesting in this film, it is good to see that the Naboo sets were still used despite a lot of the other sets and destinations being digitally rendered for the most part. The prequel trilogy films do not deliver the same lived-in feel that the original films and subsequent newer Star Wars films have tried to re-create. This comes at the sacrifice of real world settings for the advancement of visual effects and putting Industrial Light and Magic at the fore-front of the industry. Which, while I feel is a very good thing it did cause a lot of problems for fans of Star Wars.

Star Wars: Episode II – Attack of the Clones is more of the same when viewing the films in chronological order. This film has a main character but unfortunately, it’s the wrong one. While yes it charts the path of Anakin Skywalker from fear, to anger, to hate, to suffering and sets up for his fall to the dark side, it focused too much on him. Obi-Wan’s mission leading to the formation of the Clone Army and the beginning of the war was much more important to the story. This film falls short of its potential.

Star Wars: Attack of the Clones: Below Average

Star Wars: The Phantom Menace – Review

The first film in the timeline of Star Wars is not character driven, nor is the plot overly that important to the franchise’s mythos. What The Phantom Menace does is sets the stage and introduce the characters for the real story that starts ten years later.

Is the film important? For particular fans, no, for others, absolutely not. The story could probably be a decent 25 minute short to serve as a prelude to the story of Anakin Skywalker’s fall to the dark side. On the plus side, we wouldn’t be as well versed on inter-galactic trade law as we are now if it wasn’t for this film.

Star Wars: The Phantom Menace opens on a young Obi-Wan Kenobi and his master, Qui-Gon Jinn on a mission to settle a trade dispute between the Trade Federation and Naboo. The negotiations never occur, the Trade Federation establish a blockade and invade the planet. The Jedi along with the Queen of Naboo flee to the capital planet of Courscant to convince the senate to intervene. Sounds pretty straight forward right? Except along the way the meet a boy who ((SPOILERS)) becomes Darth Vader.

The star of this movie is difficult to pick out as the film has no main character. Liam Neeson plays a great Jedi Knight as Qui-Gon Jinn respects the Jedi Order but also challenges the establishment. Ewan McGregor has little screen time as Obi-Wan Kenobi but The Phantom Menace is a nice little origin story for him. Ian McDiarmid, also did a decent job as Senator come Chancellor, Palpatine. (Funny how the only stand outs in this film were established actors). For almost everyone else it shows that while they may have been good actors, the major fall back came from the direction (or lack there of) from George Lucas. Something you will find with the prequel films is that Lucas seemed to be focused on the over-all story and the look of the films rather than the actors living in the world. As a result, character development and dialogue come up short.

On that point though, the look of the film is fantastic, and for 1999 the use of CGI was bold but they pulled it off. The prequel films are a triumph of visual effects and had Lucas focused on this and left the directing to some of his peers, the general consensus around the films would be much more positive. This does bring me to probably one of the most amazing sequences 7-year-old me could ever have hoped to experience, the battle between the two Jedi and Darth Maul, the platforms, the amazing score by John Williams, the Lightsabers, the flips and the lens flares. What an amazing piece of cinema. Now of course I look back at it and it is very choreographed to the point where it seems more like a dance than if they were actually trying to kill/injure each other. However, it is still a pretty cool scene.

Star Wars: Episode I – The Phantom Menace is a below average film with a confused plot and very little direction. It left a sour taste in a lot of people’s mouths before the turn of the century and it still does. I don’t bash the film as much as a wide range of fans do but it’s not a film I enjoy.

Star Wars: The Phantom Menace: Below Average

It’s Official: Ron Howard will take over directing the Han Solo project

The front runner of the choice of directors to take over from Phil Lord and Chris Miller on the untitled young Han Solo film has been confirmed by Lucasfilm. The announcement came in a press release on

Lucasfilm is pleased to announce that Academy Award-winning filmmaker Ron Howard has been named director of the untitled Han Solo film.

“At Lucasfilm, we believe the highest goal of each film is to delight, carrying forward the spirit of the saga that George Lucas began forty years ago,” said Kathleen Kennedy, president of Lucasfilm. “With that in mind, we’re thrilled to announce that Ron Howard will step in to direct the untitled Han Solo film. We have a wonderful script, an incredible cast and crew, and the absolute commitment to make a great movie. Filming will resume the 10th of July.”

Howard has made some of the biggest hits and most critically-acclaimed movies of the modern era. Among his many films are Lucasfilm’s Willow, Apollo 13, A Beautiful Mind (winner of four Academy Awards, including Best Picture and Best Director), The Da Vinci CodeFrost/Nixon, and Rush. He also narrated and produced the beloved comedy series Arrested Development, starred in George Lucas’ American Graffiti, and remains a TV icon for his roles in The Andy Griffith Show and Happy Days.

The untitled Han Solo film is slated for a May 25, 2018, release.

They still have about 3 weeks or so of production where Howard will have to review footage they already have and make the tough choices of what to keep and what to re-shoot, for which another 5 weeks have been scheduled. There could be some clashes in the future that the production will have to keep in mind with Emilia Clarke likely to return to filming for Game of Thrones (provided she doesn’t die in season 7) and Donald Glover to shoot Atlanta season 2 soon.

What will this mean for the film? Good question. Ron Howard is a safe choice and he will produce the best movie he can. He is a competent director who has work on a few average films in the last little while, the best recent film he has directed was Rush so we’ll see how we go. I can give you a proper answer in May next year.

Phil Lord and Chris Miller fired from Han Solo anthology film

I didn’t write about this when the announcement was made because there wasn’t all that much information. Now we have a report from Variety that sheds more light on the situation.

Yesterday, Lucasfilm announced that 21 Jump Street and The LEGO Movie directors Phil Lord and Chris Miller had exited the untitled Han Solo production citing creative differences. Lord and Miller had also released a very co-operative statement. The film has been in principle photography since January this year.

Variety talked to an unknown source with knowledge of the production who said that the chemistry between the directors and Lucasfilm boss, Kathleen Kennedy was never right. The source went on to say that Lord and Miller also clashed with co-writer Lawrence Kasdan who has been heavily involved in Star Wars since Empire Strikes Back.

“Kathy, her team and Larry Kasdan have been doing it their way for a very long time. They know how the cheese is made and that’s how they want it made,” said the source. “It became a very polarising set.”

Kathleen Kennedy in her announcement stated that a new director will be announced shortly. There have been reports from Variety again and Deadline saying the Ron Howard may be the front running candidate for that new director spot.

Ron Howard would no doubt work well with Kennedy, Kasdan and Lucasfilm, he would tow the line and work well with the studio. However, Lord and Miller were hired for their comedic chops and it’d be interesting to see how what they have filmed will blend in with Howard’s product. Let’s also point out that Gareth Edwards suffered similar clashes with Kennedy during production of Rogue One – A Star Wars Story. Tony Gilroy was brought in to direct some of the re-shoots for that film.

I’m not concerned (yet) about these recent developments because of the issues that went down with Rogue One, and the film still ended up being an enjoyable Star Wars movie. I’ll be watching the developments of this production very closely.

The still untitled young Han Solo film is still slated for a May 25, 2018, release date. We will most likely see or hear updates from the upcoming D23 convention and/or Comic Con.